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"The
Last Days Of John McCullough"
by
Joseph Haworth
(First
Published in Donahue's Magazine, July 29,
1894)
The
actor can leave nothing behind him but a memory. Substantial evidences of his talent
cannot remain after their author has ceased
to be. What he possesses of world-inspiring
genius must accompany him when be bids adieu
to the footlights of earth and passes to
that eternal stage where there is no
shifting of scenes, no straining for effect,
and where every part assigned by the
omnipotent manager must be played forever.
It is in this respect, this limitation of
his sphere of artistic endeavor to his own
contemporaries, that the actor's calling is
inferior to the other professions. The
artist paints pictures which live and are
admired by successive generations, until
time has worn the oils from the canvas. The
chiseled monuments of the sculptor's genius
exist for centuries after the hand that
carved them has been transformed into dust.
The poet's songs, the novelist's
characterizations, the playwright's
productions, the minister's sermons, have no
limit placed upon their existence.
But the actor's works can have no being
when lie is dead save in the kindly
recollections of those who witnessed his
performances. After his death they enshrine
him in their hearts and speak of him in words
of love; but when those hearts have ceased
to beat, and tongues can no longer utter
loving phrases, the glory of the actor has
departed and he becomes a tradition.
The place which John McCullough won for
himself in the affections of his admiring
countrymen was as conspicuous as it was
unique. Great-hearted himself, he was
naturally beloved in great-hearted America.
,Nearly nine j' ears have passed since his
noble spirit freed itself from its mortal
tenement, but time has only served to fan
the fame of love in the souls of those who
knew him.
The career of John McCullough, from the
time when he was a poor friendless
unlettered boy until he became one of the
foremost tragedians of the age, was of so
marvelous a character that it commanded
respect and admiration. His hosts of
admirers are so familiar with his great
achievements that no word of mine is
needed to refresh their memories. I have
been asked to write of the shadowed phase of
this wonderful man's career ; of those dread
days. which led up to the end.
John McCullough was a player of
tragedies, but his own life culminated in a
tragedy which, though bloodless, was more
awful in its character than any he
portrayed, A tragedy wherein a human body is
sacrificed is a horrible spectacle to
contemplate. Poor McCullough's sacrifice was
still more ghastly, for his was a tragedy of
the mind, Insanity claimed hint as its
victim, touching hint at first in so light
and almost playful a fashion that it could
hardly be regarded seriously, but continuing
in a more assertive manner to clutch the
unfortunate actor in its spectral grasp,
until finally his sturdy intellect tottered
and fell from its throne. It was a sight
that compelled a nation to shed tears of
sympathy; but to us whose fortune it was to
be near this great and good man, it was an
event so intensely pitiful that it will
never be forgotten.
In the early part of the season of
1583, my second year with McCullough, I
first detected symptoms of his mental
weakness. It was in Philadelphia, while we
were playing Virginius with the
"Governor," as we loved to call
McCullough, in the title-role. In the
front scene, I, as Icilius, addressed him,
and, to my surprise, he hesitated in his
reply, as if his tongue was partially
paralyzed. This lasted only for an instant.
The audience did not notice that anything
was wrong, and the occurrence was of so
transitory a nature that it produced no
effect upon me. The next night the same
hesitancy was noticed, but even then the
members of the company did not realize that
there was any serious trouble.
Following the Philadelphia engagement,
this hesitancy of speech manifested itself
again and again in the cities we visited.
There was also apparent, from time to time,
a forgetfulness, which, combined with the
other symptoms, forced us to the conclusion
that all was not well with the
"Governor." Captain Conner, his
manager and warm friend, who was always
solicitous for McCullough's health, became
alarmed at the oft-recurring lapses of
memory, and advised him to go abroad. This
advice was followed at the close of the
second season. McCullough visited Carlsbad
and other places, but on his return to New
York it was evident that no cure had been
effected.
During the summer his disease continued,
and when in September we met at McVicker's
theatre, Chicago, to rehearse for the third
and last season, it was painfully apparent
to all the members of the company.
Notwithstanding his condition, we started on
the road, and for three weeks nothing of an
unusual character occurred to mar our
performances. During our stay in Milwaukee,
McCullough and I were invited to the
Soldiers' Home, by General Sharpe. The
soldiers were all assembled in their hall to
greet us, and to entertain them we gave the
famous quarrel scene between Brutus and
Cassius. McCullough was not in first class
condition, his speech being slow and
indistinct. For an encore, he recited, in
simple fashion, "The Stowaway,"
and when this was loudly applauded, he
insisted that I should read "Shamus
O'Brien." I had hardly concluded, when
McCullough started from his chair, took my
arm, and saying, " Come, we must
go," led me to the carriage. On the
way I expostulated with him, and suggested
that before taking our leave so
unceremoniously, we ought to pay our
respects to General Sharpe. The "
Governor" curtly replied
"No!!" flee sat in the carriage
for some time without speaking, as we drove
away, and then turning to me said,
"Joseph, I will play for you
tow-fit." The night came, the play was
Virginius, and his performance was
rnagnificent. Never had I seen him in better
form. We all congratulated him, loping
against hope that we might have been
deceived regarding his mental condition.
Toward the latter part of September we
reached Chicago, where we were billed for a
two weeks' engagement. The first week was
devoted to Virginius, and the play ran
smoothly enough, owing to the vigilance of
the members of the company, who were now
always out the alert to bide from the
audiences these evidences of mental
weakening. On the Thursday night of our
first week, McCullough gave a rendering of
Virginius, the equal of which I never saw
before, it was so rounded, finished, and
beautiful. Mr. Elwyn Barron, the eminent
critic of the Chicago Inter-Ocean, who was
present, rendered a most complimentary
verdict. Another well-known writer, Mr.
McPhelim, of the Tribune, who has been
termed the Willie Winter of the West,
detected on the succeeding night the
"Governor's" true condition, and
advised in forcible Saxon his retirement, in
order that the American public and his own
health might be mutually benefited,
On the second Monday, Sept. 29, 188.1,
came the Gladiator by Dr. Bird, with the
following cast :
Spartacus - John
McCullough
I'hasarius - Joseph Haworth
Crassus - John A. Lane
Bracchius - H. A. Langdon
Sentulus - J. H. Shewell
Jovius - Joseph Ransome
Crixus - Erroll Dunbar
Floras - Frank Little
Enomaus - Edward Wilson
Fighting Gaul - William Haworth
Gellius - Porter J. White
Centurion - William Ingram
Senona - Mrs. Augusta Foster
Julia - Miss
Viola Allen
Child - Master Frank Thropp
The "Governor" entered the
theatre quite late, looking strangely dazed.
lie was dressed about a quarter past eight
o'clock, and commenced his final public
performance. The piece ran without ;t
blemish until the
second act, where the brothers meet in the
arena, Spartacus recognizing Phasarius. They
embrace at a curtain
cue which McCullough gave me. I rushed to
him and threw my arms about his neck. To my
amazement he did not respond by word or
action. I looked up to see what was the
matter. The tears were in his, dear old
eyes. lie was trembling like a leaf from
head to foot, and in accents broken by his
emotion he clasped me about the neck, and
said: "For God's sake, Joe, give me the
line! " I did so. We finished the scene
for which we were accustomed to receive five
and six recalls; on this occasion we were
given only two. The " Governor"
turned to me as we came off, and said:
"They" (referring to the audience)
"are treating us gloriously
to-night."
In the next act the" Governor"
could not remember his speeches, and, to
keep the scene up, I spoke his lines and my
own. lie looked at me in a helpless sort of
way for some time, then said (loud enough
for the audience to hear), " My boy,
you are speaking my lines."
The audience laughed, and some hissed. I
paid no attention to this demonstration, and
delivered the famous Crucifixion speech as
follows :
I saw a sight last night which
turned my brain and set my comrades mad.
The Roman highway is each side lined
with crosses and on each cross is nailed
a gladiator. Well, 'twas night, when,
with a single follower, I did creep
through the trenched army to that road
and saw the executed multitude uplifted
on the horrid engines. Some moved and
writhed in mortal agony. Some howled and
prayed for death. Some turned to
lunatics and laughed at horror, while
some with fierce and hellish strength
had torn their bleeding arms free from
the beams and so had died grasping
headlong at air.
With this forcible conclusion I grew
hysterical and sank upon the floor
at Spartacus'
feet. McCullough with none of his old-time
power delivered this line: "I swear for
this to make Rome howl." The tears were
rolling down his sunken cheek.
Later in the play Florus
addressed Spartacus as follows:
"General, you are best go to your tent;
you are not fit for battle." The
audience applauded and laughed and hissed
again, thinking it a rare joke to see the
great actor in his cups. They did not know
the truth.
Now the climax was fast
approaching. The scene was reached where
Crassus, enacted by John A. Lane, stabbed
Spartacus. McCullough did not fall till
prompted to do so by 11r. Lane; and the
auditors, perceiving only the humorous side
of the situation, gave vent to their
feelings in derisive laughter. McCullough
awkwardly fell, gazing abstractedly at
Crassus, and spore the concluding lines of
the tragedy: " Set forth your sails, we
shall be in Thrace anon." The words
were ominous, like a prophecy, and when he
had finished the curtain was lowered never
to be lifted again for John McCullough.
After be was assisted to
his feet by Mr. Lane and myself, be went
before the curtain and said: "Ladies
and gentlemen, you are the best-mannered
audience I ever saw. If you had suffered
to-night as I have, you would not have clone
this. Good-night." These were
McCullough's last words before the curtain.
At the close of this
performance, Mr. Brooks, the acting manager,
notified the company that the season had
closed, as Mr. McVicker would not permit the
theatre to be opened the following evening.
It was a tearful crowd of players that left
the theatre that last night of ours.
Previous to his departure _McCullough
instructed Mr. Vance, the stage manager, to
put up a call for rehearsal for the
following morning at 11 o'clock. lie himself
had not been apprised of the closing of the
season, Mr. Brooks thinking it best to humor
him at rehearsal next day.
In the morning the " Governor,"
as soon as lie arrived at the theatre,
called me to him and said, "Joseph, the
papers did not treat us very well this
morning. I'm afraid we did not cover
ourselves with much glory last night. But
we'll do better to-night." The
Gladiator was rehearsed, and, strange as it
may appear, he knew his lines almost
perfectly. A sorrowful scene was enacted
during the rehearsal, where Spartacus gives
his wife and child to the care of his
brother Phararius with the well-known words,
" I entrust to you what is dearer to me
than life, my wife and child. Guard them
well." Mrs. Foster, as Senona replied,
" Oh, husband, do not send me away; if
I leave you now it will be forever."
All of the company were deeply affected at
hearing these significant words. This
scene I do not think was ever so beautifully
rendered before the public as at this
rehearsal. Richelieu was then announced for
rehearsal, and all went well until after the
curse speech. The " Governor "
would at times give flashes of his
"old-time fire," but in this
particular scene he really excelled every
former effort. At the close of this speech
the entire company applauded vigorously. He
seemed pleased, but shortly after, when
Baradas speaks to De Beringhem, saying
"his mind and life are breaking fast
"; referring to the cardinal, and the
"Governor" turned to administer
the rebuke, his eyes filled, his frame
shook, and lie could not utter a word.
The company retired at
the close of rehearsal after seeing the
"Governor" to his carriage. He was
driven to the Leland Hotel, where be was
informed by Mr. Brooks that Air. McVicker
refused to allow him to play the next night.
McCullough became furious, and walked up
Michigan avenue in search of Mr.
McVicker, vowing all sorts of vengeance upon
him for the alleged insult to him and his
mental condition. A few days passed, and
having determined to go to Detroit to fulfill
his next engagement, he went to the depot
and sat in the waiting room, gazing about
him in
a
dreamy sort of
way. Friends endeavored to persuade him to
go back to the hotel, but he was obstinate.
I was sent for, and I tried to induce him
to' return by telling him that I was to have
a little spread at the Leland in his honor,
and had invited a number of friends to meet
him. Said McCullough, "I am going to
Detroit," at: the same time looking
absently at his hands.
"But,"
persisted I, "they will be very much
disappointed if you don't appear. It's the
first favor I ever asked of you, and I think
you might comply." McCullough
responded, You never asked me for a favor,
eh? Didn't I make you ? " It was with
great difficulty that I finally induced him
to return to the hotel.
Shortly- after this sad
ending of his theatrical career, McCullough
took up his abode in New York, from which
place he frequently made trips to
Philadelphia, to see his wife. lie never
remained long with her, always starting away
suddenly, to fill some imaginary engagement.
About this time, I also
moved to New York, where I devoted a great
deal of tine to my dear friend, walking with
him on Broadway, and reading with him in his
room, in the Sturtevant House.
One night an incident
occurred which showed, that despite his
mental failing, his heart-impulses were as
strong as in the days of his triumphs. We
were sitting in the office of the hotel
chatting, when a pale little lad entered
with musical tops for sale. The groups of
loungers pushed the boy rudely aside and
spoke harshly to him. When the
"Governor's" glance fell upon him,
he said, " Come here, my little man.
What are you doing out so late at
night?" "I am trying to sell these
tops," the boy replied. The little
fellow was quite worn and wasted, like a
consumptive, a fact which gave color to his
statement that his mother was dying of the
disease at home. I believe the boy was
thoroughly honest and deserving, for at
mention of that sacred name
"mother," the tears filled his
large blue eyes.
McCullough grew
interested as the boy talked on, and asked
at last ' What age are you, my little man ?
"
"Eleven," replied the boy.
"And you support
your mother on what you make from the sale
of these tops?"
"Yes, sir; but my
mother used to sew until she became ill, and
now I have to do what I can to help her and
the little ones along." And with these
words he burst into tears.
McCullough patted the
bent head, and gave the boy a bank note,
saying, "Keep the change, my boy ; you
need it more than I do. Be good to your
mother always. You can never have but one.
God bless you, my noble little fellow ; God
bless you!
He was doubtless thinking
of his own early years, when he, too,
struggled for the comfort of his mother, to
whom he was greatly devoted, and whose
memory he lovingly cherished. I have often
heard him say: "My mother's face was
the sweetest I ever saw."
The boy stood dumfounded at the success
of his appeal, and gazed at the
"Governor" until he summoned up
courage to say: "Thank You, Sir,"
and with a look of great happiness in his
pale face, be turned away.
McCullough's time was now consumed in
study or reading. I visited him daily at his
room, where he often read to me from the
" Wife of Miletus," a play by the
talented Greek scholar, Timayennis, which
lie admired very much. While reading, he
would often stop to discourse on some
passage that pleased him particularly. At
such times he frequently lost his place, and
read again the lines be had previously
rendered, not realizing how treacherous his
memory had become.
Not long afterwards it was deemed
imperative to send him to an asylum, where
his malady could have proper treatment.
Bloomingdale was selected; and on June 27,
1885, he was placed in that institution,
where be remained until Oct, 25 of the same
year, when he was removed to his home in
Philadelphia, at the earnest request of his
true-hearted wife, who lived at 219 East
Thompson street. They had been separated for
many years, but McCullough's
early love for her was revived as his
intellect weakened. The flame of his
affection had not entirely died during their
separation, for I often heard him speak
lovingly of her during our travels together.
I remember one Christmas eve lie called me
to his room and showed me a roll of black
silk, saying that it was a present for Mrs.
McCullough. I could not resist re. marking,
" I am glad of that,
Governor, for this is the season when peace
and good will should be the order."
McCullough smiled sadly, remaining silent
for a couple of minutes. Then he said: ,She
was a good little soul, but she could not
keep pace with me." He was proud,
however, of her affection for him, and he
told me of an incident that happened a few
days previous, when he called to see her.
When he left her house one of the neighbors
inquired of his wife, " Is that your
great husband?"
" Yes," responded Mrs.
McCullough with warmth.
"Well," continued the gossip,
"he has lots to do to come here and
show himself after keeping away so long. I
wouldn't have a husband like that."
"Ah," replied the wife of the
tragedian, "I am prouder of his coat
tails than you can be of your husband's
whole body."
After McCullough was taken to
Philadelphia from Bloomingdale, lie received
the tenderest care and consideration from
his wife, who administered to his slightest
wants. For a short time she had the
satisfaction of seeing her husband
apparently grow brighter and stronger, but
it was the last flicker of his life's candle
which was shortly to be extinguished
forever. His brave wife, who was also an
invalid, being a sufferer from a cancerous
disease, to which she succumbed a short time
after her eminent husband's death, was
constantly at his side to cheer up the
sinking soul, and make bright its passage to
eternity. Occasionally McCullough had
sufficient strength to sit in his armchair;
but he had lost the power of articulation
and was as helpless as a child.
The end came on Nov. 8, 1885. There was
no struggle, only a sigh for what might have
been, as he gazed for the last time upon her
whom he now loved so dearly. His nurse,
William Nutt, first observed tile fatal
change. Mrs. 'McCullough had just left the
room, but was recalled to the bedside by a
word from William. The dying man's face was
flushed with an unhealthy glow, and it wore
an expression which told too plainly that
the soul had tired of its earthly
habitation, and was ready to go in search of
immortality, Dr. Engel was sent for. When he
arrived he informed Mrs. McCullough that the
end was slowly but surely drawing near. The
little woman's heart was breaking,
Mrs. Wirth, a sister of the
"Governor," his son James' wife,
the physician, and Mrs. McCullough gathered
about the bed, their muffled sobs and soft
whispers playing a mournful requiem for the
departing spirit. Hypodermic injections of
brandy and ether were used to revive him;
but the effect was only momentary. At ten
o'clock on Sunday morning, while the sound
of church bells fell upon the ears of L ho
tearful group of persons about the bedside
of the dying, tragedian. McCullough looked
up and turned towards his wife. His eyes
sere full of moaning and encouragement, but
he could not speak. The tongue that had
thrilled countless thousands was now unable
to articulate a sill: Fe word, but the dumb
eloquence of the master of Art was there;
and his wife understood what he Pain would
have spoken. A look of questioning
forgiveness lit up in his fond eyes - a look
that said. "Farewell. Thou good and
faithful heart." and his eyelids
closed. his breathing grew weaker and
weaker, until the tiny clock on the mantle
told the hour of one. A few minutes later
and Dr. Engle pronounced - "the
end."
McCullough had breathed his last. How the
news flashed over the wires from Maine to
California! How many joined in the sorrow of
the bereaved household in Thompson Street:
Who boasted so many admirers. .lie so many
Wends? And they were loyal to his memory.
Death did not rob him of even one, and the
sighs that rent up from their hearts would,
if unrestrained, have made a moan, that like
a Hurricane would have swept the earth, and
loudly syllabled the death of poor John
McCullough.
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