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                                        | John
                                    McCullough(1832-1885)
 
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                                        | "His
                                          Othello was an imposing and martial
                                          figure, with authority in voice and
                                          mein and all the external indications
                                          of the 'frank and noble nature' with
                                          which Iago credited him. And his
                                          'waked wrath' was terrible... Bit is
                                          was only in storm and stress that it
                                          was remarkable. In detail it was
                                          crude, unimaginative , unfinished, a
                                          bold freehand sketch rather than a
                                          complete study." J. Rankin
                                          Towse |  
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                                        | McCullough,
                                          John [Edward] (1832-1885)
                                          American actor born in Ireland. After
                                          his mother died when he was 15 years
                                          old, he was sent to live with
                                          relatives in Philadelphia. He soon
                                          began taking an active interest in
                                          amateur theatricals and became
                                          involved with the Boothean Dramatic
                                          Association. He made his professional
                                          debut at the Arch
                                          Street Theatre, Philadelphia in
                                          1857 in The Belle’s Stratagem.
                                          During the 1860-1861 season he toured
                                          with E.L.
                                          Davenport. He then came to the
                                          attention of Edwin
                                          Forrest, who adopted him as his
                                          protégé and principal supporting
                                          actor. He toured with Forrest from
                                          1861-1865. The result of this
                                          apprenticeship was that McCullough’s
                                          repertory and acting style very much
                                          resembled that of the older actor. A
                                          tall, classically handsome man in the
                                          heroic mold, he had a volatile, robust
                                          acting style like his mentor. After
                                          Forrest's death in 1872, McCullough
                                          assumed several of the roles upon
                                          which his predecessor had based his
                                          career such as Sparatus
                                          in The Gladiator, Virginius
                                          and Jack Cade. He also excelled at
                                          Othello, King
                                          Lear, Coriolanus
                                          and Mark Anthony. He left Forrest's
                                          company in 1866 to take over
                                          management of San Francisco’s
                                          California Theatre in conjunction with
                                          Lawrence
                                          Barrett, and continued to run the
                                          theatre after Barrett’s departure in
                                          1870. But financial difficulties
                                          forced him to give up the California
                                          Theatre in 1877 and he spent the rest
                                          of his career touring in his best
                                          known roles. In 1881, he made a brief
                                          starring engagement at London’s Drury
                                          Lane Theatre as Virginius and
                                          Othello. His mental health began
                                          showing signs of declining in 1883 and
                                          he made his last appearance in Chicago
                                          in 1884. His growing metal instability
                                          forced his commitment to a metal
                                          institution in the summer of 1885, but
                                          he was released shortly before his
                                          death at the age of 53. He was highly
                                          admired for his fairness, in an
                                          otherwise selfish profession, although
                                          his acting style was seen as belonging
                                          to a passing tradition. |  
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                                        | (click
                                          on photo to enlarge) |  
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                                        | Portrait | as
                                          a young man at the Boston Theatre | as
                                          Coriolanus |  
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                                        | as
                                          Iago | Portrait | as
                                          Spartacus |  
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                                        | as
                                          Virginius | as
                                          King Lear | as
                                          Virginius |  
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                                        | Joseph Haworth
                                          and John McCullough
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                                        | Joseph
                                          Haworth was leading man to John
                                          McCullough in the years 1882-1884. In
                                          later years he said of McCullough: "He
                                          was a grand man in many ways. His
                                          education was in the theater and in a
                                          wise use of the Encyclopedia
                                          Britannica. He gained in knowledge by
                                          absorbing the thoughts of the great
                                          minds with whom he came in
                                          contact---his acquaintances numbering
                                          some of the most noted statesmen,
                                          Presidents, lawyers, doctors, etc.,
                                          that this country has produced. His
                                          parents were north of Ireland
                                          people---modest farmers who little
                                          dreamed when their unlettered boy
                                          sailed for our own beautiful shores
                                          that he was bringing his ship to the
                                          haven of success of fame and fortune. I
                                          had the honor of supporting him in his
                                          last engagement in Chicago. Miss Viola
                                          Allen was then the leading juvenile
                                          and I the leading man of the
                                          organization. The world knows of
                                          McCullough’s sad end, and will be
                                          silent while we draw the curtain on
                                          his notable career." Joe
                                          wrote movingly of McCullough's death
                                          in his article "The
                                          Last Days of John McCullough"
                                          for Harper's Magazine in
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