O’Leary,
Miriam (c1865-1930) made her debut
with the Boston Museum Company in
March of 1881, performing a bit role
in support of Dion Boucicault in his
play Colleen Bawn. A gifted
singer, she played The Lady Saphir ( a
rapturous maiden) in the Museum's
American premier production of Gilbert
and Sullivan's Patience, which
ran for a record 100 performances. In
April 1882, she supported Lester
Wallack as Rosa Leigh in Rosedale,
and the following month played Betty
in Sardou's Butterfly Fever,
demonstrating acting talent and a
developing technique. From there, she
made more rapid progress and became an
audience favorite. Promoted to the
position of Leading Soubrette, she
specialized in saucy, coquettish, and
intriguing roles.
On May
10, 1887 New York audiences saw her at
the Star Theatre in a celebrity
studded testimonial to actor C. W.
Couldock’s fiftieth anniversary on
the stage. The program included Edwin
Booth in the third act of Hamlet,
Fanny Davenport in the screen scene
from School for Scandal, and
Joseph Jefferson, James O’Neill,
Kyrle Bellew, and Mrs. John Drew in
the third act of The Rivals.
Miriam played Brutus’ boy servant
Lucius in the quarrel scene from Julius
Caesar, featuring Lawrence Barrett
as Cassius. A packed theatre fell
hushed as Lucius sang his master to
sleep.
Miriam
returned to the Boston Museum Company’s
rigorous schedule which included the
role of Jenny Buckthorn in the
original production of Shenandoah,
which opened on November 19, 1889. She
continued to act at the Museum, taking
a bit of time out in January 1892 to
marry Boston physician David A.
Collins, a man of wealth and social
prominence. The New York Times
reported on January 24, 1892:
"The proposed marriage has been
kept very quiet, even to the point of
having a ‘special dispensation’
granted by the Archbishop to avoid the
custom of ‘calling’ the names on
the two Sundays preceding the
ceremony. Miss O’Leary will not
retire from the stage."
Miriam
went right from the altar to a
performance of Betty’s Finish,
the first play written by the prolific
Clyde Fitch. Although the play
received a mix reception critically,
it was a huge popular success, largely
due to Miriam’s performance in the
title role. Supported by Junius Brutus
Booth, Jr. and her own sister Agnes
Acres, Miriam played Betty’s
Finish and a companion piece
called The Solicitor through
February 1892. The January 3, 1891 New
York Spirit of the Times said:
"Betty’s
Finish, comedietta by Clyde Fitch,
produced at the Boston Museum, on
Monday, was a disappointment. Betty
has been sent to a New York School to
be finished; flirts with the faculty
of a college; saves Jack her lover
from expulsion, and – that’s all.
It is told disjointedly and
undramatically, and the effect is like
turning over the leaves of a comic
book hurriedly. Miriam O’Leary
carried the little play on her pretty
shoulders."
In
March 1892, the New York Times
reported that Miriam O’Leary
"is to retire from the stage for
domestic life," and the Boston
Museum closed its regular season on
May 22, 1892 with a benefit
performance for her featuring Betty’s
Finish this time coupled with Lady
Jess. But the following fall,
Miriam acted at Charles Frohman’s
Boston stock company in the premiere
of Augustus Thomas’ Civil War play Surrender.
Of her performance, the November 22,
1892 New York Times wrote:
"Miriam O’Leary, of the old
Museum company, though she had a minor
part, made a great deal of it."
She continued to act occasionally
until leaving the stage definitively
in 1900.
On
February 12, 1912, the Boston Traveler
reported: "At the request of
Lindsay Morison, Miriam O’Leary of
the old Boston Museum stock company
has consented to return to the stage
after an absence of 12 years, and will
appear next week in the auditorium in
Lynn, in the same company with her
daughter, Miriam Collins, 17. Miss O’Leary
is the widow of Dr. Collins, and her
daughter has been appearing with
success in the Lindsay Morison stock
company in Lynn, and will also appear
when the company opens its summer
season in Boston.
Miss O’Leary
will be the Nurse in Romeo and
Juliet, and it will be the first
time mother and daughter have appeared
on the stage together."
On
November 13, 1949, Mrs. Robinson
Locke, of the famous Robinson Locke
Theatre Collection, mailed a clipping
to the collection’s curator. It
announced the wedding of Ensign Leonor
Loree Collins, USN, grandson of the
late Dr. and Mrs. David Collins of
Boston. Mrs. Locke enclosed the
following note:
"Will
you please file these pictures with Miriam
O’Leary (Mrs. David Collins) of
the famous Boston Museum Stock Company
– She and her family, the O’Learys
were our neighbors in Boston for many
years in my little girlhood – I
adored her! She played Dick in Lord
Fauntleroy with Viola Allen and
Elise Leslie in 1887 and Miss Allen
and she were warm friends –
She is
also the mother of May Collins – who
married James Loree and retired. She
played Lady Teazel for George Tyler in
1925.
Her
brother David had married Miss Loree
and she married his brother-in-law.
This Leonor Loree Collins is therefore
her nephew – Good fortunes never
came to finer people!
Agnes O’Leary,
Miriam’s sister, became Agnes Acres
and appeared with Jefferson in The
Rivals taking the name
"Acres" from the play –
She was very pretty – Married Barton
Jenks the artist – and died while
quite young. The O’Learys were
cousins of Joseph Haworth’s – So
many sweet memories were stirred by
this news"
And on
July 26, 1950, Mrs. Locke wrote in
part: "O’Leary : Miriam –
later Mrs. David Collins. Her family
was one of our neighbors. She was one
of the best loved Boston actresses.
Her children married very well, into
the Loree family of New Jersey. Her
grandson Werner Loree Collins was
married in June. May Collins, of
course, you remember in Mr. Tyler’s School
for Scandal …..Miriam died while
I was abroad in the late 20’s or 30’s.
Her sister, Agnes became Agnes Acres
after a season with Jefferson –
married Barton Jenks. She was as airy
and theatrical as Miriam was down to
earth. Another sister Theresa became a
lawyer and a very able one I hear.
They were cousins of Joseph Haworth
and William Haworth."